We want to put a smile on people’s faces during this worrying time. So we have decided to launch the an online edition of our creative writing project FAKE NEWS for you to enjoy.
In 2019 we collaborated with Choices Day Programme at St John of God Community Services (Liffey Region) to develop a writing project that explored through humour, our unique take on current affairs. The result is FAKE NEWS. a collection of short stories and news items made by our creative team of journalists.
We hope to create a print edition and also a read aloud version that is more accessible to all, but have decided to release this version for now with apologies that it isn’t as accessible as we would like. If you can’t read it, maybe you can ask a friend or family member to read it aloud to you. Enjoy, share and tell us what you think…
It’s hard to know where to begin. 2019 has already been our busiest year to date and there is a LOT more to come. We will keep it brief!
We kicked off the year with 3 performances of Singing for Survival on the Draiocht mainstage and we are only now just about recovering. Huge congrats to all of our performers and team. We are still sharing images and video across our social media and more to come!
Next up was the news that our project ‘Making a Mark’ with ensemble member Mark Smith will see us take residence in The Abbey Theatre from the 8th to the 12th of July for a week of creative development with Shaun Dunne as part of the Abbey Theatre’s 5 x 5 intuitive. You’ll be hearing a lot more about this project in the coming months but for now you can read more about it here.
We were delighted to receive a Creative Ireland bursary to run our first ever summer course. The Masterclass project will take place at Castletown House from the 1st to the 5th of July 2019 and pair 12 participants with some of Ireland’s leading theatre makers for a week of workshops. Applicants have been selected and you can stay updated across our social media.
We’ve enjoyed a lot of theatre across the last few months highlights including ‘The Waterboys’ by the brilliant Equinox Theatre and Do We Not Laugh? presented by our peers in Loaded Dice Theatre Company. Keep an eye on our socials for our regular reviews!
In May we received word that we were the county winner for the National Lottery’s Good Causes awards. Whilst we didn’t progress to the National final we were still delighted with this accolade and will hang our certificate with pride!
Meanwhile our Youth Theatre have been working away on an original script ‘The Protectors’, our Choices group are currently writing a sketch piece for their annual Christmas performance entitled ‘FAKE NEWS’ and our other groups are ferreting away on lots of exciting ideas. As always…. watch this space!
Finally, we have announced the dates for our next performance. Our Monday evening ensemble will perform An Evening of Mime entitled ‘These Modern Times’ at The Mill Celbrudge across 16th and 17th of July. All details can be found on our facebook pages and you can email email@example.com for tickets.
It’s been a VERY busy 2018 at Run of the Mill, so busy in fact I have neglected our little blog here. There’s been a lot happening so I promise I will try to cram it all in.
First up; June 2018 saw a very talented group of actors from Crossroads and Seasons Day programme (SJOG Liffey Region) left HOME ALONE at the Celbridge Manor hotel for their big community production. The performance was an enormous success with our audiences and netted not one but TWO full pages in everyones favourite local literature The Liffey Champion! Our actors did themselves very proud and this was the Crossroads and Seasons groups first performance since ‘Ive a Disability Get me Out of Here’; a huge thanks to all those who made it possible.
In July, Mark Smith completed his residency at Axis Ballymun with a short sharing of his solo autobiographical performance ‘Making a Mark’ in collaboration with Shaun Dunne and Aisling Byrne. Mark has big BIG plans for this in 2019, so watch. this space.
There was little time to rest across the summer as our Pathways ensemble continued working tirelessly on ‘Singing for Survival’ a new large scale production that will premiere in January 2019 at Draiocht Blanchardstown supported by the Arts Council of Ireland and Kildare County Council. This project sees the participants collaborate with some of the top theatre artists and makers in Ireland including Lauren Larkin, Kilian Waters, Sinead Diskin and Eoin Winning and is NOT to be missed… Tickets are on sale now and flying out so be sure to get booking.
Our Monday night ensemble were busy this September performing a short extract of their new piece ‘These Modern Times’ a silent mime production as part of Kildare’s Culture Night celebrations at The Mill Community Centre. It was wonderful to participate in such a great local event and our performers did an excellent job. They look forward to presenting the performance in full soon.
Our Choices gang at St John of Gods Community Services have been adjusting to the ‘movie star’ life and are soon to wrap filming on their very own community film ‘The Gardeners’ which will premiere in December 2018, directed by Aisling Byrne with videography by Alan Thompson. We can’t WAIT to share it with you…
FINALLY! The Run of the Mill Culture Club initiative to get people accessing really great work will kick off on Monday Oct 8th with a trip to ‘The M House’. Equinox Theatre Company’s brilliant play as part of Dublin Theatre Festival at Axis Ballymun. We are organizing a coach and concession tickets and encouraging everyone to get out and there and enjoy some culture.
Phew… that’s a fair bit to be getting on with! Stay up to date across all our social media!
It’s been a busy start to 2018 for us here and Run of the Mill and we thought it high time we update you on the comings and goings!
Mark Smith, Artist in Residence, Axis Ballymun
We kicked off the year with some incredibly exciting news- our very own Mark Smith (known to many as ‘King Lear’) was successful in his application for the ‘Playground Residency’ at Axis Ballymun. Mark intends to use his residency (Jan to July 2018) to develop his practice in solo contemporary performance and will be working (in a fully paid capacity) alongside writer Shaun Dunne and myself (Director Aisling Byrne!) to develop an autobiographical piece of work. Mark has already settled himself into the Axis and is on first name terms with most of the staff (especially the very lovely ladies in the cafe). We are so proud of him and thrilled to be supporting the development of a truly exciting piece of work with a very talented theatre artist.
I’ve a Disability: GET ME OUT OF HERE! and the Kildare Leader Partnership
In between rehearsals for their upcoming production ‘Home Alone’ (more on this to follow) our Crossroads and Seasons group continue to make waves with their 2016 production ‘I’ve A Disability: Get Me Out of Here!‘ a politically charged piece of theatre exploring the barriers to inclusion faced by people with a disability in our communities. Across February, the group facilitated a workshop for the Kildare Leader Partnership for 25 participants (including local county Councillors) based upon the themes of the play and performed also for the Celbridge Access Group to highlight access issues in our community. This is socially engaged theatre at its best; making waves with the people in power! We loom forward to further opportunities to perform this piece of work across our wider community.
The group are also set to perform their new play Home Alone, in June of this year so watch this space for details. Home Aloneis a newly devised play for anyone who ever knew what it was like to crave just a bit of independence….
Monday night ensemble and other projects…
Our Monday night ensemble (picture above, John Monaghan, David Cahill and David Kelly) are busy working towards their new piece These Modern Times, a silent mimed production inspired by the films of Charlie Chaplin. The piece will be performed later in the year at a ‘red carpet’ event. Watch this space!
Meanwhile, our Pathways group are working away on a very exciting project (we can’t say much for now but stay tuned!) whilst our Griffin Rath group are preparing a very special multi-sensory story sharing for their families and friends this March. Our Choices group are developing some new ideas and let’s just say they are feeling very ‘filmic!’….The newly formed Maynooth Drama Club kicked off in January and is running every Tuesday, whilst our Weds morning ‘Horizons’ group (on a break since last year) are hoping to return to the Mill Community Centre after the Easter Break on April 11th.
That’s enough to be getting on with for now I reckon! Stay tuned and we look forward to welcoming you into the audience later this year 🙂
Oh how we love a good musical at Run of the Mill Theatre!
Come and join us at The Rydell Day Service for this year’s big community production at The Celbridge GAA Club on May 31st 2017 at 8pm and we promise to have you dancing in the aisles.
Tickets are a steal at 7euro and can be reserved by emailing firstname.lastname@example.org or purchased from reception at The Mill Community Centre.
Directed by: Aisling Byrne
Performed by our Monday Night Ensemble:
Bronagh O’ Grady, David Brophy, David Kelly, David Cahill, David Uzell, Claudia Freeman, Vanessa Walsh, Yvonne Killick, Ciara Rogers, Florina Conroy, Sastri Boodasingh, John Monaghan, Nicky Stephenson, Papi Herterich, Paddy Dennigan and Kieran O Reilly
Our brilliant silent movie made with the support of Kildare County Council and Alan Thompson Videography is now online and you can watch it here:.
Directed by Aisling Byrne and starring Mary Gilton, Noel O’ Dwyer, Johnny Murphy, Ciaran Flynn, Brendan Moran, Brian Malone, Tommy Cunningham, John Monaghan, Niall Cunningham and Roy Priest (the participants of Run of the Mill’s Horizons Drama Group) the movie was conceived and devised by the participants and filmed across the community of Celbridge in Summer 2016. Give it a watch!
Reason in Madness. Review by Jerome Corby 27th Nov 2016
There can be few things more rewarding in life than delivering a night of theatre that captivates an audience as fully as Run of The Mill Theatre did tonight. A packed house was witness to a superb reworking of the great tragedy of King Lear. I dare say Shakespeare would have been proud of such a production. Arts and theatre makers with intellectual disabilities from the St. John of God Services in Dublin and North Kildare realised an ambitious undertaking beautifully.
In a devised production, which this accomplished ensemble has worked over the past year, the themes of aging, dementia and vulnerability get a sensitive treatment worthy of the medieval tale and its modern setting. A minimal set allows great use of mime, light and sound to create the eerie sense of foreboding in the story.
But the performances are what bring the whole production to life. On entry, we are treated to a view of the court anticipating the arrival of the king with trepidation. On his arrival, Lear (Mark Smith in a commanding performance) is clearly unhappy and tired of his monarchy, but wants to make sure he hands his kingdom over to the daughter who loves him most.
Cue Goneril (Jane Ryan) and Regan (Ella-Jane Moore) who make great showings of their love for the king, including some superb dancing which had the audience (and the king) in thrall. A lovely understated performance by Michelle Brennan as Cordelia, unwilling to lie to him for her own gain, suitably enrages the easily-deceived father and she is disowned – she marries the King of France, played exuberantly by Neil Coffey.
Kent (the excellent Wesley Fairbrother), faithful servant to the king, is banished from the kingdom when he tries to alert Lear to his unfair treatment of Cordelia, but returns in the disguise of Caius to support the monarch when he discovers the duplicity of his two older daughters. Bad guy Edmund is ably played by John Egan.
The old king’s therapy sessions with the psychologist (played by Kate Bauer who provides splendid costume and assists the performers discreetly and expertly throughout) bring some excellent comedic moments. Smith and his colleagues know how to work an audience, and they do so regularly.
The supporting cast, in particular the demons, bring a menacing quality to the nightmare scenes, especially later on, when Lear descends into madness. Fine stage visuals (by Sean Cunningham) help to generate the desired effects here.
An inspired production, deftly directed by Aisling Byrne, designed by Ciaran O’Melia, with a nuanced text by Oonagh Murphy, and sound by Susie Birmingham with Ellen Gorman and an effective team stage-managing, ensures a thoroughly entertaining spectacle for everyone.
Everyone should see this talented group in the first-rate surroundings of Draíocht, so if you can beg, borrow or steal a ticket for the last performance Wednesday 30th – well, I’m not advising anyone to steal a ticket…
Lear is not having a good week. A storm is brewing and he’s running with the wolves. He’s old, he’s cold and his daughters aren’t talking to him. You can’t rule the world, if you can’t remember where your shoes are. It seems in this kingdom when you’re old and grey, suddenly, you’re in the way.
Rehearsals are steaming ahead for Run of the Mill’s biggest performance of the year, Reason in Madness (a devised reworking of King Lear) in collaboration with Pathways Day Programme and supported by the Arts Council of Ireland to be performed at the Draiocht Blanchardstown on November 29th and 30th.
We’re teaming up with our great friends at Draiocht to offer an earlybird special of 10euros per ticket if you book before September 9th. So what are you waiting for? Follow the link and get booking 🙂